“Charged with careful realism, this book—published by independent press 2dcloud, which specializes in comics—is beautiful. The quiet is palpable, the pacing is perfect, and the glimpse at the life of a pair of owls is all too brief.”
What for me was the most immediate and accessible part of the novel, was its depiction of winter light. The colour scheme is very restrained: umber, the colour used by the Dutch Baroque masters to give chiaroscuro shades, and near-monochromatic grayscale gradients dominate the work with blue. Some muted red is added here and there to give additional strength and contrast. For me, the effect is instantly recognizable. This is what winter light feels like.
Today has been a day of surprises. Several big things that have been in the works for many months have suddenly come to fruition.
I’m continuing work on my Black History watercolor series. My last two portraits, one of Jeanne Lee and one of Miles Davis, have turned into Tumblr collaborations with poets Daniel Falck and Michael Neal Morris.
ANMLY25 debuted today. The comics section of this issue features a lot of fantastic cartoonists including Aidan Koch, Austin English and Alyssa Berg. My contribution was an animated version of The Tooth. My 24 page comic The Tooth appeared in The Shirley Jackson Project edited by Rob Kirby and published by Ninth Art Press in September 2016.